So What Worship and The Atheist-Agnostic Monarch Conundrum So What Miles Davis’ solo in ‘Round Midnight , piercing and quiet against sophisticated fills by Red Garland (p), Philly Jo Jones (d), Paul Chambers (b). The trumpet rings out… do I hear spit skitter across the horn’s bell? John Coltrane (ts) and Julian “Cannonball” Adderly (as) trade solos; the faint echoes following their lines rise and retreat depending on the direction the saxes swung towards in that corner of Columbia’s 30th Street Studio in 1959 NYC. Next, on to So What , with Bill Evans: piano and James Cobb: drums from Kind of Blue , recorded a few years earlier. One of humanity’s greatest achievements. I cannot describe the creativity, teamwork, concentration and completeness that make up these blues and ballads and other iterations of America’s classical music - jazz. According to the Kind of Blue album notes by Bill Evans, “Miles conceived these settings only hours before … you will hear something close ...