Appreciating Merciless Ghost. What do you say when the opening number kicks off with the quintet filling the room with sounds of crumpling, crackling and shaking white butcher paper before stuffing this extreme sheet music into the bells of the sax (George Cartwright) and cornet (Noah O.) , under the strings of the cello (Michelle Kinney) and bass (John Granowski) and on top of the snare (Davu Seru)? (According to Paul Metzger's podcast, http://khyberpasscafe.com/podcast, Kinney guested with the four regular "ghosts" this evening.) “Wow!” is my answer. The musicians, with their papers, created a music that went beyond mere rythmic noise and set a soundstage verging on magic. The piece built from there for 45 minutes, inexorable, syncopated, with mainly minor moods. Cartwright’s sax contributions seemed at times like they might have descended from some of Zappa’s MOI oeuvre. Ever-changing, forward-moving and intensely focused exploratory meandering, with the ...